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In This Issue - Perspectives Spring 2007

This plate, painted in 1920 by Sister Cleta Bakewell, was rejected at the county fair; judges didn't believe it was painted by hand.

The diversity of our gifts and talents not only revitalizes the congregation but also benefits the people it serves. FSPA Constitutions #27

In this issue of Perspectives, we are guided to a deeper understanding of the Divine presence with a gentle tug from the creative hands of FSPA and affiliate artists. Their talents range from traditional like weaving and quilling, to the intensely spiritual such as icon writing, to the unexpected like woodworking. No matter which artistic modality is employed, the gift of visual artistry is evident throughout the community's history and today, in everyday life. Art is so much a part of the FSPA charism, it is like the canvas upon which a painter swipes her color-laden brush. Without it, we would never see the whole picture.

To truly understand the importance of the visual arts to the FSPA, we begin with a look back by exploring some of the treasures in the FSPA Heritage Room at St. Rose Convent in La Crosse, many of which may be considered lost arts: hair weaving, wax work and lace making.

We also research the probability of a long-retold tale about the purchase of two pieces of artwork by Mother Antonia Herb during a time when the FSPA barely had enough resources to feed the community. We can only imagine the reactions Mother Antonia faced when she presented the art to the community and declared that the sisters needed food for their souls, as well as their bodies.

Our exploration of contemporary art takes us through the process of writing icons. In addition, we research the parallel paths of spirituality and artistry through the words of two FSPA artists, Sisters Laurice Heybl and Maryam Gossling, as well as through the eyes of FSPA affiliate Violeta Abitia. Sister Jean Moore shares life lessons she learned while woodworking with her father, evidence that art and craft are often the tools that lead us to discovery.

Finally, we also learn about the ancient craft of quilling and how FSPA are keeping the tradition alive. If art is, as Mother Antonia declared, "food for the soul," then this issue of Perspectives is a virtual feast. Join us at the table; let your spirit be satisfied as you reflect upon these many gifts.

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